29 September 2013

The Book of Me (2)

Julie Goucher's Book of Me has its taxing moments in the memory and feelings departments. Now, to be truthful here ― and that's what we're aiming for, right ― I am not putting myself out in public naked and cringing because I told three lies in my lifetime or peed my pants in Mrs. Jacobs' grade one class. On the other hand, mustn't cater to some kind of ancestor popularity contest among descendants not-yet-born. Attempting a balance, I have to do Julie's challenge my way.© Paul Anka

And I'd like to say at this point that when you have genealogy fatigue or family-history-writer's-block, Book of Me is a great way to distract and/or refresh yourself. It also reminds you to scan some of those fuzzy old photos before they fade entirely, so the whole exercise is mucho win-win.

My thoughts on Prompt Three: Physical Self (15 September) began and almost ended with:
Once a dancer, always a dancer. That says everything about my physical self. Except for forty years my hair was unmistakeably, vividly, Celtic RED and of course that says everything else.
Not exactly as pictured

That's my story and I'm sticking to it.

But I noticed in the Prompt 3 responses a lot of autobiographers got hung up with one of Julie's suggestions: size. Struggling with weight is only one kind of lifelong pain. Lest you think I'm cheating I will say I was always the tallest. Tallest often makes you the shyest. Tallest makes you stand out ~yerm~ as an easy target of fun from creepy little grade seven boys. Tallest makes you ineligible for the ballet company because you can't partner with short creepy men. Tallest makes creepy people call you big even if you're skinny. Combine that with red hair and don't think it was easy growing up. My teenage friend from Stuttgart confidently told me that Europeans innately, consistently regard redheads as evolutionary defectives.

Nevertheless, I successfully portrayed a (tall) mouse in the skating carnival and moved on to dance recital levels to be a butterfly and a singin'-in-the-rain hoofer and a thunderbird and years of fabulous costumes our mothers made, when mothers used to sew, reaching solo status as Snowflake, assistant to George the Porter who was a quasi-Santa fixture (a Thunder Bay thing, don't ask) in the annual Christmas extravaganza.

Then it morphed into serious classes in days when we had to darn our fragile pointe shoes so they'd last more than one performance and our examination tutus were made by the company's wardrobe mistress who was so kind to me because surprisingly she was a good friend of my ancient "aunt" Agnes B. Dougall in touch with my father who was terrified I'd become a theatre person (well, I did for a while; the musical stage is where the tall girls go unless you get a Vegas showgirl contract like my friend Ginny — thankfully she survived that and a bad marriage) so had to keep up the piano lessons that somehow pacified him even though Mrs. Bancroft (about grade ten that was) was so sick of listening to the same opening bars of the same Rachmaninoff concerto every week for a year coming from incredibly clumsy fingers for someone who could dance. Bless your patience, Mrs. B.

So. Not limiting myself to classical training, fast forward a bit to a life of domesticity and child-raising. Luckily some of it coincided with a trend in balls (but not enough of them) entailing long dresses and social dancing. BTW a man who knows how to waltz is worth his weight in gold; I only ever met two and unfortunately did not have affairs with either one, more's the pity (honestly, I would tell you if I had). The occasional military ball spiced it up with what I call Scottish cross-country dancing.

Now that I've taken up all this space which seems awfully self-indulgent to me, you may well ask — if you are not snoring by now — isn't that all ancient history, how dare I imply the dance, or more to the point, the dancer goes on? Self-delusion?
 
Well, the fact is most do. Right into the golden years when we need to keep creaky limbs from rusting up like a junked car, no matter how the body has changed ... hiding middle-aged spread under flowing tops; giving up the awesome three-inch heels and beloved (non-orthotic) boots; pretending the arthritic joints or dimming vision or hip replacements are temporary blips to overcome. Try shuffling with the latest offerings like zumba, clogging, salsa, belly dancing, meringue, you name it (it's okay to draw the line at break-dancing or whatever they call it now). Hey, even karaoke invites creative moves.

It's all of a piece. An overheard phrase of music only has to start and the body's twitching in recall. You know what I'm talking about. Betcha some of you never thought of yourselves as dancers.

Things have a way of evening out somehow. I'm no longer the tallest kid in the chorus line and the hair has faded. Meanwhile, as Sonny and Cher said, the beat goes on.

Now I'm thinking, should I start Prompt Three all over again? ... 
... Once a writer, always a writer ...

© 2013 Brenda Dougall Merriman

5 comments:

Christine Merriman said...
This comment has been removed by a blog administrator.
marian press said...

I love it, Brenda. All the things I didn't know about you.

Kathie Orr said...

Brenda I think what you are doing is great. I had followed a link to Julie's blog around the same time you posted something. I meant to talk to you about this last week.

I am going to follow her prompts but do it as a private journal.

BDM said...

Great, Kath. We can always talk on the phone.

Christine Merriman said...

That's fun to read, Mom. I've forwarded it to Claire, this generation's dancer (who only does a wee bit of breakdancing).