Something a little different ...
The Lost Ancestor. By Nathan
Dylan Goodwin. http://www.nathangoodwin.co.uk/, 2014.
Since I regularly critique mystery and
crime fiction novels, I agreed to review―with
a tiny bit of apprehension―Nathan
Goodwin's The Lost Ancestor after receiving his direct
marketing appeal.
I'm aware that the occasional
genealogical colleague ventures into writing mystery fiction starring
a genealogist as the detective. While I've not sought out examples,
the few I've seen were not what I considered successful. No doubt
most of us can come up with numerous juicy plot ideas from exposure
to myriad ancestral problems that we've been asked to solve over the
course of a career. But not only does a genealogist as protagonist
need adequate knowledge of the subject and credible work habits; the
novel itself requires good writing and
structure. Readers with historical and genealogical
experience also look for value-added, telling details.
Goodwin's novel is a dilly that sucked
me right in (it's the second in a planned series after Hiding the
Past). That's not an easy thing to do with my predilection for
Scottish noir and Swedish
perverse. Based in East Sussex, England, forensic genealogist
Morton Farrier gets a dream job: find out what happened to the
missing sister of an ancestor one hundred years ago. Mary Mercer was
learning the ropes as third housemaid in an upper-class mansion
(Downton Abbey fans will love the minutiae of Edwardian service
life); she suddenly disappeared, leaving a hole in a family tree.
Straightforward assignment? Where would
you look for her?
Family historians will recognize many
of the sources Morton uses but some may surprise you. You might say
certain unusual documents coincide rather conveniently to drive the
plot, but Goodwin skillfully builds credibility. Check out Morton's
elaborate mindmapping! Identity is only one issue as a strange,
twisting scenario unfolds.
I doubt that the research elements are
intrusive for a non-genealogist reader, quite the contrary. Even
better is how the author carefully paralleled Morton's progress with
Mary's own story, a challenging device handled admirably. Dialogue
and characters integrate naturally―a
pet peeve of mine when it fails―with
just the right touch of our hero's domestic life and a sense of his
own family problems. There's more: someone is prepared to kill Morton
to stop his meddling research.
Morton's methodology can scarcely be
faulted although a few quibbles arise in sources or editing. A
reference is made to a street address in Ontario as if Ontario (a
province over four times the size of Great Britain) were a town. A
passport was unnecessary for a British citizen to travel to Canada
(but let's not kvetch on a minor point). Overly-long
paragraphs can be a drag. Nevertheless, The Lost Ancestor is a
winner in my books ... more, please!
Goodwin has found an engaging, lively
"voice" in Morton Farrier. See if you agree with me.
I'd love to receive some comments here.
[The Lost Ancestor was
self-published on CreateSpace, an Amazon "independent
publishing" unit. Paperback copies can be ordered on Goodwin's
website; the Kindle version is currently only available in the UK and
the US.]
©
2014
Brenda
Dougall Merriman. All rights reserved.